SEA CITY is the School of Environment and Architecture’s outreach programme. SEA City organizes events, lectures, symposia and exhibitions in order to engage with the larger artistic and cultural discursive sphere within and outside the city. SEA City events are completely open to all public, and are attended by a diverse group of people including students, architects, professionals, academics and locals.

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Architectural Practice In India: A Millennial Archaeology - Part 2




winter 2025-26
At the threshold of the first quarter of the millennium, which also marks a generation since India’s economic liberalization, architectural practice in India is ripe for a critical re-evaluation. In this period, the country has gradually, yet starkly shifted from a socialist framework to a neoliberal state, where developmental politics has ramified architectural production into new directions and logics. Existing scholarship on the built environment in India has often focused narrowly on the aesthetics of form, the evolving identity of the architect, or the reception of modernism as inherited from the West. Architectural discourse has largely taken one of two paths: either documenting work deemed academically significant, or framing emerging practices in terms of identity—often measured against binaries such as modern versus indigenous/vernacular. Such approaches tend to posit the architect as a servant of academic canons  or fixed ideals.

Architectural practice on the ground, as it appears now, is far more complex - one that exhibits reorientation of spatial ideals and values to reflect a rapidly evolving society increasingly shaped by media, consumerism, and aspirations of globalisation. Once trained architects step into the field, the idealism of modernism is quickly refracted through geopolitical urgencies and the pragmatic demands of practice. What is often overlooked is the inherent political exigency that compels practice to adapt—making the operations and expressions of architecture more malleable and responsive to emerging needs of the market - in its widest extensions. In such contexts, architects evolve new formats, languages, agencies, and strategies to negotiate their professional knowledge to remain relevant within the real-world demands of building reinterpreting spatial briefs through the vocabularies of capital, conservation, environment, real estate, and more.

‘Architectural Practice in India: A Millennial Archaeology’ seeks to examine how architectural practice in India has developed over the last three decades within the framework of the millennial shift in its political economy. What forces—of power, ambition, and institutional pressure—have shaped architectural production during this period and how does it reorganise the delivery of the built environment? What aspects of practice gain currency in the emerging market and how does the professional architect find reconciliations and directions in addressing these. In excavating these variegated  forms of practice that shape the unevenness of our built landscape today, these discussions aim to explore tendencies such as the rise of managerial approach, the renewed focus on environmental and heritage concerns, the emergence of artisanal and communitarian agendas, the urgency of urbanistic thinking, response to media and the integration of computational and digital thinking that come to constitute distinct, yet composite strands of spatial practice today. 

The new cycle of SEA City Conversations is conceived as a year-long series of panel discussions featuring architects and spatial commentators, whose own practices have decisively responded to the millennial shifts in the region, by means of slipping, fitting or pushing the envelopes of conventional formats of practice. Methodologically, the series will draw upon the professional biographies of practitioners from across the city whose trajectories have remained representatively pivotal in bringing and operating in such changing dynamics of practice. Through reflexive interrogation and collective debate over the upcoming year, the programme imagines to present itself as an open course for the city, and invite the public to participate in a collective architecture history-writing exercise that seeks to critically engage with the evolving realities of contemporary architecture in India.


sessions

Dec 05, 2025     Media Practices and Architecture
Jan 30, 2026      Contemporary Artistic Practices & Architecture
Feb 27, 2026     Communitarian & Activist Practices
Mar 13, 2026     Computational & Digitally Driven Practices


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Media Practices and Architecture




Friday, 5 December 2025,
6 pm to 8 pm

With the advent of new channels of information flows during the ‘90s such as broadcasting, internet and mobile technologies, architectural ideas came to be consumed in new ways at an increased intensity. Where on the one hand, the first generation architects in India were busily compiling monographs chronicling their oeuvres, new publishing markets emerged fuelling public debates on taste, global influence, and architectural production. After 2000, architecture journalism, independent magazines, and digital platforms amplified commentaries on the built environment in India. Moreover exhibitions gained prominence as discursive sites for staging architecture within the public domain. Institutions such as CEPT Archives, the Kochi Biennale Foundation, have given a distinctive push to architectural imagination within the space of the academy as well as experimental practice. Here, the object of architecture, and the role of architect has been centered more emphatically within the cultural sphere. Large architectural exhibitions over the last two decades such as The State of Architecture, The State of Housing or When is Space? have foregrounded archival thinking, spatial inquiry and public engagement within the architectural process. Across these shifts, media has moved from mere documentation to discourse, from objectifying buildings to mediating their cultural, political, and environmental lives - reshaping how architecture is produced, interpreted, and remembered in India. This panel reflects on how media practices—writing, archiving, and exhibition-making - have been actively partaking in the role of reshaping architectural discourse and spatial production in India.


discussants

Kaiwan Mehta
(curator, cultural theorist, Dean - BSSA)

Nisha Nair
(People Place Project)

Ruturaj Parikh
(Studio Matter)

moderated by
Anuj Daga
(SEA)


This lecture series is partially supported by Urban Centre Mumbai and is free and open to public.