SEA CITY is the School of Environment and Architecture’s outreach programme. SEA City organizes events, lectures, symposia and exhibitions in order to engage with the larger artistic and cultural discursive sphere within and outside the city. SEA City events are completely open to all public, and are attended by a diverse group of people including students, architects, professionals, academics and locals.
next on SEA City
Architectural Practice In India: A Millennial Archaeology - Part 2
winter 2025-26
At the threshold of the first quarter of the millennium, which also marks a generation since India’s economic liberalization, architectural practice in India is ripe for a critical re-evaluation. In this period, the country has gradually, yet starkly shifted from a socialist framework to a neoliberal state, where developmental politics has ramified architectural production into new directions and logics. Existing scholarship on the built environment in India has often focused narrowly on the aesthetics of form, the evolving identity of the architect, or the reception of modernism as inherited from the West. Architectural discourse has largely taken one of two paths: either documenting work deemed academically significant, or framing emerging practices in terms of identity—often measured against binaries such as modern versus indigenous/vernacular. Such approaches tend to posit the architect as a servant of academic canons or fixed ideals.
Architectural practice on the ground, as it appears now, is far more complex - one that exhibits reorientation of spatial ideals and values to reflect a rapidly evolving society increasingly shaped by media, consumerism, and aspirations of globalisation. Once trained architects step into the field, the idealism of modernism is quickly refracted through geopolitical urgencies and the pragmatic demands of practice. What is often overlooked is the inherent political exigency that compels practice to adapt—making the operations and expressions of architecture more malleable and responsive to emerging needs of the market - in its widest extensions. In such contexts, architects evolve new formats, languages, agencies, and strategies to negotiate their professional knowledge to remain relevant within the real-world demands of building reinterpreting spatial briefs through the vocabularies of capital, conservation, environment, real estate, and more.
‘Architectural Practice in India: A Millennial Archaeology’ seeks to examine how architectural practice in India has developed over the last three decades within the framework of the millennial shift in its political economy. What forces—of power, ambition, and institutional pressure—have shaped architectural production during this period and how does it reorganise the delivery of the built environment? What aspects of practice gain currency in the emerging market and how does the professional architect find reconciliations and directions in addressing these. In excavating these variegated forms of practice that shape the unevenness of our built landscape today, these discussions aim to explore tendencies such as the rise of managerial approach, the renewed focus on environmental and heritage concerns, the emergence of artisanal and communitarian agendas, the urgency of urbanistic thinking, response to media and the integration of computational and digital thinking that come to constitute distinct, yet composite strands of spatial practice today.
The new cycle of SEA City Conversations is conceived as a year-long series of panel discussions featuring architects and spatial commentators, whose own practices have decisively responded to the millennial shifts in the region, by means of slipping, fitting or pushing the envelopes of conventional formats of practice. Methodologically, the series will draw upon the professional biographies of practitioners from across the city whose trajectories have remained representatively pivotal in bringing and operating in such changing dynamics of practice. Through reflexive interrogation and collective debate over the upcoming year, the programme imagines to present itself as an open course for the city, and invite the public to participate in a collective architecture history-writing exercise that seeks to critically engage with the evolving realities of contemporary architecture in India.
sessions
Dec 05, 2025 Media Practices and Architecture
Jan 30, 2026 Contemporary Artistic Practices & Architecture
Mar 6, 2026 Communitarian & Activist Practices (rescheduled)
Mar 13, 2026 Computational & Digitally Driven Practices
Architectural practice on the ground, as it appears now, is far more complex - one that exhibits reorientation of spatial ideals and values to reflect a rapidly evolving society increasingly shaped by media, consumerism, and aspirations of globalisation. Once trained architects step into the field, the idealism of modernism is quickly refracted through geopolitical urgencies and the pragmatic demands of practice. What is often overlooked is the inherent political exigency that compels practice to adapt—making the operations and expressions of architecture more malleable and responsive to emerging needs of the market - in its widest extensions. In such contexts, architects evolve new formats, languages, agencies, and strategies to negotiate their professional knowledge to remain relevant within the real-world demands of building reinterpreting spatial briefs through the vocabularies of capital, conservation, environment, real estate, and more.
‘Architectural Practice in India: A Millennial Archaeology’ seeks to examine how architectural practice in India has developed over the last three decades within the framework of the millennial shift in its political economy. What forces—of power, ambition, and institutional pressure—have shaped architectural production during this period and how does it reorganise the delivery of the built environment? What aspects of practice gain currency in the emerging market and how does the professional architect find reconciliations and directions in addressing these. In excavating these variegated forms of practice that shape the unevenness of our built landscape today, these discussions aim to explore tendencies such as the rise of managerial approach, the renewed focus on environmental and heritage concerns, the emergence of artisanal and communitarian agendas, the urgency of urbanistic thinking, response to media and the integration of computational and digital thinking that come to constitute distinct, yet composite strands of spatial practice today.
The new cycle of SEA City Conversations is conceived as a year-long series of panel discussions featuring architects and spatial commentators, whose own practices have decisively responded to the millennial shifts in the region, by means of slipping, fitting or pushing the envelopes of conventional formats of practice. Methodologically, the series will draw upon the professional biographies of practitioners from across the city whose trajectories have remained representatively pivotal in bringing and operating in such changing dynamics of practice. Through reflexive interrogation and collective debate over the upcoming year, the programme imagines to present itself as an open course for the city, and invite the public to participate in a collective architecture history-writing exercise that seeks to critically engage with the evolving realities of contemporary architecture in India.
sessions
Dec 05, 2025 Media Practices and Architecture
Jan 30, 2026 Contemporary Artistic Practices & Architecture
Mar 6, 2026 Communitarian & Activist Practices (rescheduled)
Mar 13, 2026 Computational & Digitally Driven Practices
next on SEA City
Computational and Digitally Driven Practices
Friday, 13 March 2026,
6 pm to 8 pm
The introduction of computers into architectural practice in India did not simply introduce a new tool; it reshaped the logics through which architecture is conceived, represented, and produced. This talk traces the emergence of computational and digital methods in Indian architectural practice, beginning with the early adoption of drafting and modeling software and the gradual transformation of architectural workflows that followed. Digital tools enabled new possibilities of formal complexity, precision, and visualization, while also altering professional practices and design cultures. The presentation examines how the rise of 3D visualizations, renderings, and immersive media such as AR/VR reshaped architectural representation and the circulation of images within contemporary practice. It also reflects on how computational design intersected with fabrication processes, introducing digitally mediated making through CNC technologies, parametric modeling, and experimental desktop fabrication cultures. These developments have influenced aesthetics, work cultures, and economies of production while also finding strong traction within academic studios and workshops.
The talk shall reflect on how digital tools have transformed spatial articulation, workflows, and design imaginaries, while situating these shifts within broader questions of technological aspiration and global alignment.
discussants
Krishna Murthy
(Folds Design Studio)
Jinal Shah
(Program Chair of Masters in Computational Design and Fabrication at CEPT University)
moderated by
Dushyant Asher
(SEA)
This lecture series is partially supported by Urban Centre Mumbai and is free and open to public.
The talk shall reflect on how digital tools have transformed spatial articulation, workflows, and design imaginaries, while situating these shifts within broader questions of technological aspiration and global alignment.
discussants
Krishna Murthy
(Folds Design Studio)
Jinal Shah
(Program Chair of Masters in Computational Design and Fabrication at CEPT University)
moderated by
Dushyant Asher
(SEA)
This lecture series is partially supported by Urban Centre Mumbai and is free and open to public.
